The Editing Room: Art Criticism, Curating and Publishing, A Critical Writing Workshop, CCA, Lagos, 14-16 May 2018. Editing Room is initiated and organised by Iheanyi Onwuegbucha, Associate Curator, CCA, Lagos. The workshop has been developed in partnership with the Embassy of France in Abuja. http://www.e-flux.com/announcements/193314/upcoming-exhibitions-workshops-and-events/
In conversation with Kemang Wa Lehulere, Artistes & Curators. Paroles contemporaines, Centre Pompidou, Paris, 7 February 2018, 7pm
Visiting Lecturer, March 2017 and February 2018, Member of the jury, July 2017, HISK, Ghent, http://hisk.edu/mw/
Collecting Art by Women: A symposium on inclusion & diversity, Whitechapel Art Gallery, London, 4 March 2017. Organised in association with AWARE: Archives of Women Artists, Research and Exhibitions and the New Hall Art Collection, Murray Edwards College, University of Cambridge. www.whitechapelgallery.org/events
Charlotte Moth en conversation avec Caroline Hancock à propos de son exposition Pensée kaléidoscopique au Parc Saint Léger et de la nouvelle monographie Charlotte Moth. Travelogue, 28 octobre 2016, 18h, Librairie Le Cyprès, Nevers http://www.parcsaintleger.fr/index2.php?p=5366
Nominée pour le Prix AICA France de la critique d’art, 18 mars 2016, 19h30, Palais de Tokyo, Paris. Présentation de l'oeuvre de Dalila Mahdjoub
Mercer Union, Toronto (part of the Steps/Mesures platform): "Destination Mars: A conversation with Caroline Hancock", Thursday 3 December 2015, 7pm.
http://www.mercerunion.org/events/stepsmesures-caroline-hancock/
VOL. XVI – Haris Epaminonda, frac île-de-france, Paris: Conversations de plateau. Avec : Caroline Hancock (commissaire d’exposition et critique d’art indépendante) et Aurélien Mole (artiste, commissaire d’exposition, critique d’art, photographe d’expositions et cofondateur de la revue Postdocument). Jeudi 26.11.15 – 19h30
http://www.fraciledefrance.com/vol-xvi-haris-epaminonda-2/
Gallery talk concerning the new acquisition of a painting by William McKeown in the exhibition 'New Art New Nature', Ulster Museum, Belfast, 30 October 2014, 11am
Discussion with Maeve Connolly, Studio 6, Temple Bar Gallery + Studios, Dublin, 14 April, 6pm http://www.templebargallery.com/events/event/the-independent-curator-caroline-hancock
ARCO Madrid, Professional Meetings: 'Curating Africa (In, From, and For)', invited by Miguel Amado, 22 February 2014
http://www.contemporaryand.com/blog/exhibition/arco-2014-professional-meetings-curating-africa-in-from-and-for/
Discussion with Mark Garry on the occasion of his solo show 'Winter Light'
The Model, Sligo, 8 February 2014
http://themodel.ie/
'Permutations'. Performances by Fayçal Baghriche, Raffaella della Olga, Santiago Reyes. Pavillon Vendôme, Clichy-La-Garenne, 5 April 2014. Organised by Manuel Segade and On The Roof for the finissage of the exhibition 'La Ville après les applaudissements. Des Récits du Sud', curated by Manuel Segade in collaboration with On The Roof, 24 January-13 April 2014. Presenting work by Carme Nogueira, Julia Montilla, Juan Pérez Agirregoikoa, Francesc Ruiz and Oriol Vilanova.
Curatorial residency, Delfina Foundation, London. 19 November-19 December 2013. In collaboration with the Institut français.
http://delfinafoundation.com/in-residence/caroline-hancock/tag/past/
IKT Lab # 3 : L'Art africain, pourquoi faire ? / African Art, What For ? Fondation Calouste Gulbenkian, Paris, 10 December 2013.
Organised by On The Roof (Elise Atangana, Yves Chatap, Vanessa Desclaux, and Caroline Hancock) in collaboration with Chantal Pontbriand (Member of the IKT board).
LE SOCLE, projects on or around the empty plinth in the Parc des Buttes-Chaumont, Paris. Initiated by On The Roof. First edition programmed within the Festival Les Uns Chez Les Autres of the Mairie du 19e arrondissement. Project by Virginie Yassef, 'Investigations of a Dog: Act 1, 18 October, 5.30-6.30pm. Act 2, 19 October, 4-7pm. For more information : lesocle.tumblr.com
Introduction to film screening, Vivienne Dick exhibition curated by Luke Dodd, Centre Culturel Irlandais, Paris, 14 September 2013, 7.30pm
'Les nouveaux horizons des arts visuels portugais', panel discussion moderated by Tiago Bartolomeu Costa with Filipa Oliviera and António Contador, Gulbenkian Foundation, Paris, 12 June 2013
'Endurance Test', performance by Pedro Barateiro, Ecole Nationale Supérieure des Beaux Arts, Paris, 11 June 2013, 6.30pm (in the context of “Languages”, exhibition at Gulbenkian Foundation, Paris, curated by Filipa Oliviera)
Contribution to research for 'Curiosity: Art and the Pleasures of Knowing', A Hayward Touring and Turner Contemporary exhibition in association with Cabinet magazine, curated by Brian Dillon, 2013-2014 (Turner Contemporary, Margate; Castle Museum & Art Gallery, Norwich; Royal Hibernian Academy, Dublin; de Appel, Amsterdam)
http://www.turnercontemporary.org/exhibitions/curiosity-art-and-the-pleasures-of-knowing
Discussion with Pedro Barateiro, Curator's Lab, Guimarães, European Capital of Culture, 29 September 2012
Lectures on Paris in the 1920s and 1930s for Columbia University, New York. Summer Programme in Paris, July 2012
Lecture on the magazine DOCUMENTS for Parsons Paris, Creative Residency, Summer Programme, July 2012
Jury member of the International Design & Communication Awards, Summer 2012
Invited to present at the symposium 'Coloniality, Curating and Contemporary Art', organised by Centro Andaluz de Arte Contemporanéo and UNIA, Seville, in collaboration with the Royal College of Art, London, March 2012William McKeown: a room, conversation with Isabel Nolan and Declan Long, Kerlin Gallery, Dublin, 1 March 2012
Invited to round table discussion during the exhibition 'The Return', Museum of Modern and Contemporary Art (MAMA), Algiers, curated by Nadira Laggoune, December 2011
Interviews with Mathieu K Abonnenc, Mitch Epstein and Edgar Martins, Live Platform, Paris Photo, 10 November 2011
Invited to make a presentation about artists from the Maghreb in international news at the Study Days organised by Laboratoire SEDET: "Art et résistance au Maghreb et au Moyen Orient", 3-4 November 2011, Université Paris Diderot, Paris
Summer Programme for the Art and Design Management Department, Parsons School of Art and Design, Paris, 2011
Jury member, Leopold Bloom Art Award, co-operation between the Maurice Ward Group (Ireland) and ACAX | Agency for Contemporary Art Exchange, Budapest – September 2011
The State and Stakes of Contemporary Art in Algeria', invited to round table discussion during New Cartographies: Algeria-France-UK, Cornerhouse, Manchester, 8 April 2011
Géographies du commissaire d’exposition: round table discussion, part of Enjeux et modalités du commissariat d’exposition aujourd’hui organised by C-E-A at the Fondation d’entreprise Ricard, Paris, 25 January 2011
Events in the Landscape, curated screening, invited by Charlotte Moth and Peter Fillingham during A Snowball Effect, Mains d’Œuvres, Paris, 11 December 2010
mainsdoeuvres
Landscape, co-organisation of a conference day on Irish art, Centre Culturel Irlandais, Paris, 25 November 2010; and curated film and video screening
In conversation with Niamh O'Malley during her solo exhibition Frame, Glass, Black, green on red gallery, Dublin, October 2009
Discussion with Sarah Pierce after the screening of Chronical of a Summer by André Morin and Jean Rouch, Project Art Centre, Dublin, June 2009
The Painting of Modern Life. Seen by Scene: Judith Eisler and Johannes Kahrs, Goethe Institute, London, Autumn 2008
Miltos Manetas, existentialcomputing.com, Hayward Project Space as part of the Digital Dialogues programme, London, 2007
Member of programming committee and event producer for 100 IDEAS, 2007:
-Fanny Ardant reading, Purcell Room (in partnership with Le Marathon des Mots, Toulouse and French Embassy, London)
-Art Schools in Crisis, Hayward: panel discussion with ArtSchoolPalestine,
JJ Charlesworth, Matthew Cornford, Hans Ulrich Obrist, Irit Rogoff, Anton Vidolke
On committee developing the programme of events to accompany exhibition on Undercover Surrealism. Georges Bataille and DOCUMENTS, Hayward, 2006: conference in collaboration with the Courtauld Institute of Art, film programme in collaboration with the British Film Institute, exhibition tours, Hayward Nights, music and performance
Contributors include: Jake Chapman, Denis Hollier, Diego Masson, Tom McCarthy
Hasard Téléobjectif by Raymond Hains, Camden Arts Centre, London. Funded by agnès b, April 2005